Selected from

INTERNATIONAL CONFERENCE “East Asian literature and art in the early 21st century from a cultural perspective”

   

DOI: 10.54607/hcmue.js.23.SI3(2026)

Date Published: 30/10/2026

Articles

The Development of Taiwan’s Regional Literary Histories Since the Late Twentieth Century and the Perspective of Glocalization
Huang Wenchu
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PRODUCED ON THE PRODUCTION LINE: THE POETRY OF CHINESE MIGRANT WORKERS (2001-2020)
Liang Jing
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HIGUCHI ICHIYO IN THE INNOVATION PROCESS OF EARLY MODERN JAPANESE LITERATURE AND THE PEDAGOGY OF JAPANESE LITERATURE IN GENERAL EDUCATION SCHOOLS
Trần Minh Hường, Van Thuong Nguyen, Vo Thi Phuc Hong
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CULTURAL IMPRINTS IN INRASARA’S “THE PURIFICATION FESTIVAL IN APRIL”: RITUALS, MEMORY, AND IDENTITY
Hoang Thi Thuy Duong
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FROM REPERTOIRE TO REFERENTIAL DIVERGENCE: A WOLFGANG ISER–INSPIRED APPROACH TO TEACHING EARLY TWENTY-FIRST-CENTURY EAST ASIAN LITERATURE
Nguyen Phuoc Bao Khoi
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THE "MARKET" IMAGERY IN SHORT STORIES BY SOUTHERN VIETNAMESE FEMALE WRITERS IN THE EARLY 21ST CENTURY: A LANDSCAPE CRITICISM AND INTERDISCIPLINARY APPROACH
Bui Tran Quynh Ngoc, Nguyen Bui Thien Nhan, Bui Thanh Truyen
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WHEN THE WORLD CALLS BACK: RESPONSIVE LISTENING IN MUSAN CHO OH-HYUN’S ZEN SIJO
Nguyen Thi Ha An
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GIVING VOICE TO THE SILENT: A MARGINAL NARRATIVE APPROACH TO THE RESTRUCTURING OF YAOGUAI IN CONTEMPORARY CHINESE ANIMATION THROUGH NOBODY
Phan Thu Van, Duong Vinh Hung
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A STUDY OF THE ADAPTATION OF THE NOVEL DREAM OF THE RED CHAMBER INTO STAGE WORKS IN CHINA IN THE EARLY TWENTY-FIRST CENTURY
Dang Ngoc Ngan, Nguyen Thi To Ninh
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SPEAK NEARBY IN CONTEMPORARY VIETNAMESE WOMEN’S LITERATURE: LIVED EXPERIENCE AND RESISTANCE IN PRIVATE SPACES IN TIẾNG ĐÀN MÔI SAU BỜ RÀO ĐÁ AND TRĂNG NƠI ĐÁY GIẾNG
Nguyen Thi Minh
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Cultural Diplomacy Through Literature in East Asia from the Late Twentieth to the Early Twenty-First Century: Comparing the South Korean, Japanese and Chinese Models and Exploring Vietnam’s Development Potential
Nguyen Thi Bich Dao
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THE FIGURE OF THE ARTIST IN JAPANESE LITERATURE AND ART: THE CASE OF KAZUO ISHIGURO’S AN ARTIST OF THE FLOATING WORLD AND HARUKI MURAKAMI’S KILLING COMMENDATORE
Nguyen Bich Nha Truc, Phan Thi Thuy Nhung
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FROM INTERTEXTUAL READING COMPREHENSION TO CONFUCIAN IDEOLOGICAL DIALOGUE: THE CORRELATION BETWEEN CHU SHI BIAO AND DỤ CHƯ TÌ TƯỚNG HỊCH VĂN IN THE 2018 LITERATURE GENERAL EDUCATION PROGRAM
Huynh Van Minh, Le Hoang Dat
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THE INSEPARABLE STRUCTURE IN EAST ASIAN CULTURAL TRADITIONS AND INTRATEXTUAL INTERMEDIALITY: THE CASE OF LIU CIXIN’S THE THREE-BODY TRILOGY
Dinh Phan Cam Van
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SELECTING VIETNAMESE CULTURAL CONTENT FOR INTERNATIONAL STUDENT TRAINING: A UNESCO FRAMEWORK APPROACH (2024)
Ngo Thi Thanh Tam
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THE VOICE OF THE BODY AND IDENTITY CONSTRUCTION IN THE NOVELS BY HAN KANG
Dam Thi Thu Huong
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ORIENTATIONS FOR DEVELOPING DIGITAL COMPETENCE FOR HIGH SCHOOL STUDENTS THROUGH THE LITERATURE SUBJECT IN THE DIGITAL TRANSFORMATION ERA
Nguyen Thanh Ngoc Bao
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The Potential for Integrating Education for Sustainable Development into Reading Comprehension Instruction through Early Twenty-First-Century East Asian Literary Texts in Upper Secondary Literature and Language Arts Textbooks
Nguyen Thi Ngoc Thuy, Ngo Le Hong Nhu
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